Round 4, First Pocket

I have two pocket items for the first mole that comes my way.  The first one you've seen as a photo, but it's dry enough now to scan--It's the wandering minstrel, the Mandolin player, done in water soluble oils.

The Wandering Minstrel, The Mandolin Player
by Mary Stebbins Taitt
Water-soluble oils
for the first round 4 pocket.
size: I cut this exactly to fit the Mole pocket, hopefully.

The second pocket item is for fun.  It is a bit weird and silly.  I was playing with oil pastels.  My question was, how would they work on dark paper.  I actually went to the store and bought the paper just to experiment--I've got my teeth into exploring oil pastels at the moment.  I like them because they are bright and don't stink (like the fixative for soft pastels, chalk pastels.)  I had in mind sort making a mandala from a poppy.  When I was nearly finished, I tried to sand off on of the bumps that had formed and the layers of varnish and oil pastel delaminated.  This is something I'd been afraid of and had a series of other tests and had not managed to delaminate any of the tests--nut this one did.  The peeled off pieces felt like flower petals so, for fun, I glued them on.

Poppy Mandala with Torn Petal
First Round 4 Pocket item
Mary Stebbins Taitt
oil pastels and acrylic varnish
Click to view larger.
8.5 x 11

 The next painting (drawing?) is another in my series of tests of oil pastels and acrylic varnish.  It's on one of my practice sketchbooks, an old one, painted (drawn?) over an old failed painting.  One thing oil pastels, I have not yet learned how to do detail.  Nor can I do it with a palette (painting) knife, as seen above.)  The oil pastels tend to shed little lumps of pastel material which then builds up with successive layers to make "pimples."  These pimples are weak spots from which delamination can begin.  I have no idea about the long-term survival of these pieces, but I think they will not delaminate in the short term, as they did in the poppy mandala above, unless they are subjected to undue stress, eg, sanding.

Ami, age 13
Mary Stebbins Taitt
oil pastels, acrylics and acrylic varnish
in multimedia sketchbook
9 x 12 (part is missing on right, as my scanner is smaller than the paper)

I am not sure how much longer I will continue experimenting with this media or whether I will use it in any serious art.  I will not use it in anyone's sketchbook (Mole) in the exchange unless someone gives me the go-ahead, since the archival nature of the medium is unknown (to me) at this time.  For some reason, I seem to be taken by the medium at the moment.  Trying to ascertain its possibilities.